Film already solved this.
An AI video generator cannot hold continuity, and cannot roll for more than a few seconds. Across two shots the same actor comes back with a different face, in a different jacket, in a room that has quietly rearranged itself — and the camera stops mid-take, every time, like a magazine running out.
Neither is an AI problem. They are production problems, and film answered them a century ago: break the script down, board it, block it, and keep the continuity record. SceneMind does that work, in that order.
The script becomes a shot list
SceneMind parses your screenplay into a timeline of scenes and shots, and builds the cast, locations, props and wardrobe as assets you can see and correct. Where the script does not settle something, it asks you. It does not invent.
Staged in metres, not adjectives
Every shot is staged on a real floor: actors placed and moving in metres, a real lens at a real height and angle. The 180° line holds across a scene's coverage, and consecutive setups stay at least 30° apart. A cut that breaks either reads as a mistake to anyone watching — whatever generated it.
One instruction per shot
From that staging it writes each shot's instruction, carrying the same reference photographs — your actors, your locations, your outfits, your props — into every shot that needs them, and splitting any beat the generator could not hold in a single take.
What it does not promise
The generator still makes the final image. SceneMind controls the instruction, not the result: faces drift, rooms drift. What changes is that you stop guessing — the staging is measured, the references are consistent, and quality control tells you when a shot has drifted before it reaches the cut.
"You direct. It keeps the film continuous."
